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申丹(教授)简介(资料简历图片)
外语教学,北京大学,文体申丹(教授)简介(资料简历图片)
发布时间:2020-12-06加入收藏来源:互联网点击:
4. Dan Shen. “Dual Narrative Progression as Dual Authorial Communication: Extending the Rhetorical Model.”Style 52.1-2 (2018): 61-66.
5. Dan Shen. “Dual Narrative Movement and Dual Ethics.”Symplokē 25.1-2 (2018): 511-515.
6. Dan Shen. “u2019Contextualized Poeticsu2019 and Contextualized Rhetoric: Consolidation or Subversion? ” In Emerging Vectors of Narratology. Ed. Per Krogh Hansen, et. al. Berlin and Boston: De Gruyter, 2017. 3-24.
7. Dan Shen. “Joint Functioning of Two Parallel Trajectories of Signification: Ambrose Bierceu2019s “A Horseman in the Sky.” Style 51.2 (2017): 125-145.
8. Dan Shen. “Historicalness, Comprehensiveness, and Innovativeness.” Style 51.1 (2017): 88-100.
9. Dan Shen. “What are Unnatural Narratives? What are Unnatural Elements?” Style 50.4 (2016): 483-489.
10. Dan Shen. “Dual Textual Dynamics and Dual Readerly Dynamics.” Style 49. 4 (2015): 411-438.
11. Dan Shen. “Review: The Routledge Handbook of Stylistics.” Style 49.4 (2015): 161-165.
12. Dan Shen. “Review: The Cambridge Handbook of Stylistics.” Style 49.4 (2015):165-169.
13. Dan Shen. “Unreliability.” In Handbook of Narratology, 2nd edition. Ed. Peter Huhn et. al., Berlin: De Gruyter, 2014. 896-909.
14. Dan Shen. “Defending the Validity of Stylistics and Trying to Make it More Helpful to Literary Interpretation.” In Linguistics and Literary Studies. Ed. Monika Fludernik and Daniel Jacob. Belin and Boston: De Gruyter, 2014. 237-259.
15. Dan Shen. “Stylistics and Narratology.” In The Routledge Handbook of Stylistics. Ed. Michael Burke. London and New York: Routledge, 2014. 191-205.
16. Dan Shen. “Consolidation out of Diversification in Narratology.” ENTHYMEMA: International Journal of Literary Theory, Criticism and Philosophy No. 9 (2013): 140-144.
17. Dan Shen. “Implied Author, Authorial Audience, and Context: Form and History in Neo-Aristotelian Rhetorical Theory.” Narrative 21. 2 (2013): 140-158.
18. Dan Shen. “Covert Progression behind Plot Development: Katherine Mansfieldu2019s u2018The Fly.u2019” Poetics Today 34.1-2 (2013): 147-175.
19. Dan Shen. “Stylistics in China in the New Century.” Language and Literature 21.1(2012,创刊20周年纪念刊): 93-105.
20. Dan Shen. “Language Peculiarities and Challenges to Universal Narrative Poetics.” In Analyzing World Fiction: New Horizons in Narrative Theory. Ed.Frederick Luis Aldama. Austin: University of Texas Press, 2011. 17-32.
21. Dan Shen. “Neo-Aristotelian Rhetorical Narrative Study: Need for Integrating Style, Context and Intertext.” Style 45.4 (2011): 576-597.
22. Dan Shen. “What is the Implied Author?” Style 45. 1 (2011): 80-98.
23. Dan Shen. “Implied Author, Overall Consideration, and Subtext of u2018Desireeu2019s Baby.u2019” Poetics Today 31.2 (2010): 285-312.
24. Dan Shen. “The Stylistics of Narrative Fiction.” In Language and Style. Ed. Dan McIntyre and Beatrix Busse. Hampshire and New York: Palgrave MacMillian, 2010, 225-249.
25. Dan Shen. “u2018Overall- Extended Close Readingu2019 and Subtexts of Short Stories.” English Studies: A Journal of English Language and Literature 91.2 (2010): 150-169.
26. Dan Shen. “Non-ironic Turning Ironic Contextually: Multiple Context- Determined Irony in u2018The Story of an Hour.u2019” JLS: Journal of Literary Semantics 38.2 (2009): 115-130.
27. Dan Shen. “Edgar Allan Poeu2019s Aesthetic Theory, the Insanity Debate, and the Ethically Oriented Dynamics of u2018The Tell-Tale Heart.u2019” Nineteenth-Century Literature 63.3 (2008): 321-345.
28. Dan Shen. “Review: Text World Theory: An Introduction.” Journal of Literary Semantics 37.1 (2008): 91-95.
29. Dan Shen and Dejin Xu, “Intratextuality, Intertextuality, and Extratextuality: Unreliability in Autobiography versus Fiction.” Poetics Today 28.1 (2007): 43-87.
30. Dan Shen. “Internal Contrast and Double Decoding: Transitivity in Hughesu2019s u2018On the Road.u2019” JLS: Journal of Literary Semantics 36.1 (2007): 53-70.
31. Dan Shen. “Boothu2019sThe Rhetoric of Fictionand Chinau2019s Critical Context.” Narrative 15. 2 (2007): 167-186.
32. Dan Shen. “Subverting Surface and Doubling Irony: Subtexts of Mansfieldu2019s u2018Revelationsu2019 and Others.” English Studies: A Journal of English Language and Literature 87.2 (2006): 191-209.
33. Dan Shen and Xiaoyi Zhou. “Western Literary Theories in China: Reception, Influence and Resistance.” Comparative Critical Studies 3.1-2 (2006): 139-155.
34. Dan Shen. “How Stylisticians Draw on Narratology: Approaches, Advantages, and Disadvantages.” Style 39. 4 (2005): 381-395.
35. Dan Shen. “Review: Stylistics.”Style39.4 (2005): 494-495.
36. Dan Shen. “Diegesis.” Routledge Encyclopedia of Narrative Theory. Ed. David Herman et. al. London & New York, Routledge, 2005. 107-108.
37. Dan Shen. “Mind-Style.” Routledge Encyclopedia of Narrative Theory. Ed. David Herman et. al. London & New York, Routledge, 2005. 311-312.
38. Dan Shen. “Narrating.” Routledge Encyclopedia of Narrative Theory. Ed. David Herman et. al. London & New York, Routledge, 2005. 328-329.
39. Dan Shen. “Story-Discourse Distinction.” Routledge Encyclopedia of Narrative Theory. Ed. David Herman et. al. London & New York, Routledge, 2005. 566-567.
40. Dan Shen. “Why Contextual and Formal Narratologies Need Each Other.” JNT: Journal of Narrative Theory 35.2 (2005): 141-171.
41. Dan Shen. “What Narratology and Stylistics Can Do for Each Other.” In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Oxford: Blackwell, 2005. 136u2013149.
42. Dan Shen. “Broadening the Horizon: On J. Hillis Milleru2019s Ananarratology.” Provocations to Reading. Ed. Barbara Cohen and Dragan Kujundzic. New York: Fordham University Press, 2005. 14-29.
43. Yinglin Ji & Dan Shen. “Transitivity, Indirection and Redemption in Shelia Watsonu2019s The Double Hook.” Style 39.3 (2005): 348-362.
44. Yinglin Ji and Dan Shen. “Transitivity and Mental Transformation: Sheila Watsonu2019s The Double Hook.” Language and Literature 13.4 (2004): 335-348.
45. Dan Shen. “What Do Temporal Antinomies Do to the Story-Discourse Distinction? A Reply to Brian Richardsonu2019s Response.” Narrative 11.2 (2003): 237-241.
46. Dan Shen. “Difference Behind Similarity: Focalization in Third-Person Center of Consciousness and First-Person Retrospective Narration.” In Acts of Narrative. Ed. Carol Jacobs and Henry Sussman. Stanford: Stanford University Press, 2003. 81-92.
47. Dan Shen. “The Future of Literary Theories: Exclusion, Complementarity, Pluralism.” ARIEL: A Review of International English Literature 33.3-4 (2002): 159-182.
48. Zongxin Feng and Dan Shen. “The Play off the Stage: The Writer-Reader Relationship in Drama.” Language and Literature 10.1 (2001): 79-93.
49. Dan Shen. “Traveling Theory: A Twisting Movement.” In In Search of a New Alphabet. Ed. Harald Hendrixet.al. Amsterdam & Philadelphia: John Benjamins, 1996. 213-218.
50. Dan Shen. “Defense and Challenge: Reflections on the Relation Between Story and Discourse.” Narrative 10. 3 (2002): 222-243.
51. Dan Shen. “Narrative, Reality, and Narrator as Construct: Reflections on Genetteu2019s Narration.” Narrative 9.2 (2001): 123-129.
52. Dan Shen. “Breaking Conventional Barriers: Transgressions of Modes of Focalization.” In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001. 159-172.
53. Dan Shen. “The Development of Stylistics in China.” Language and Literature 9.2 (2000): 182-184.
54. Dan Shen. “Review: Communication Across Cultures.” Babel 45.2 (1999):185-188.
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